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The Museum of International Folk Art is a state-run institution in Santa Fe, New Mexico, United States. It is one of many cultural institutions operated by the New Mexico Department of Cultural Affairs.
Its holdings exceed 130,000 objects from more than 100 countries and are widely described as the world’s largest collection of international folk art.
The museum was founded by Florence Dibell Bartlett and opened to the public in 1953 and has gained national and international recognition as the home to the world’s largest collection of international folk art. The collection of more than 135,000 artifacts forms the basis for exhibitions in four distinct wings: Bartlett, Girard, Hispanic Heritage, and Neutrogena. The original building, a gift to the state from Bartlett, was designed by famed New Mexico architect John Gaw Meem. (Source: Wikipedia, 2025)
- Authority
- ulan:500308711
The Museum of International Folk Art is a state-run institution in Santa Fe, New Mexico, United States. It is one of many cultural institutions operated by the New Mexico Department of Cultural Affairs.
Its holdings exceed 130,000 objects from more than 100 countries and are widely described as the world’s largest collection of international folk art.
The museum was founded by Florence Dibell Bartlett and opened to the public in 1953 and has gained national and international recognition as the home to the world’s largest collection of international folk art. The collection of more than 135,000 artifacts forms the basis for exhibitions in four distinct wings: Bartlett, Girard, Hispanic Heritage, and Neutrogena. The original building, a gift to the state from Bartlett, was designed by famed New Mexico architect John Gaw Meem. (Source: Wikipedia, 2025)
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Terms of use
The Georgia O'Keeffe Museum is dedicated to fostering access to its collections to inspire education, research, and creative engagement. Through Access O'Keeffe, the Museum’s digital catalogue raisonné project, we provide free tools for engaging with Georgia O'Keeffe’s full body of work. As part of this initiative, we encourage the download of low-resolution images for educational and fair use purposes.
Certain works by Georgia O'Keeffe are under the copyright of the Georgia O'Keeffe Museum, while others are managed by different rights holders. For commercial uses, users must seek authorization directly from the respective copyright holder.
By downloading and using these images, users agree to the following terms and conditions of use including the Museum’s reproduction guidelines. Users will play a vital role in preserving the integrity of the artist’s work while supporting broader public access.
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Fair Use:
Images may be used under fair use principles for purposes such as:
- Educational: Use in teaching materials, presentations, and coursework
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By downloading images of artwork from Access O'Keeffe, users agree to adhere to the Museum’s reproduction guidelines for artwork by Georgia O'Keeffe. Images must not be altered, manipulated, or modified in any way that compromises their integrity or misrepresents the original work. Specifically, artworks may not be cropped, distorted, or subjected to the following alterations:
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- Color adjustments
- Superimposition of text, graphics, or other elements
- Animation, cartooning, or other forms of reinterpretation
- Removal or modification of blemishes, inscriptions, or other original features
- Printing artwork on 3D materials, including fabrics
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Unauthorized uses of Georgia O'Keeffe’s works include any applications that fall outside the scope of fair use, such as those intended for commercial profit generating purposes.
Examples include, but are not limited to:
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For any such uses, prior written authorization must be obtained from the appropriate copyright holder noted in Access O'Keeffe.
For any commercial use, prior written permission is required from the copyright holder. Please contact the Digital Experience and Rights Manager at [email protected]
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Museum of International Folk Art. - . Access O’Keeffe, Georgia O’Keeffe Museum, https://access-ok.okeeffemuseum.org/1985.